Zanele Muholi is an award winning South African lesbian photographer and visual activist, making photographic images to challenge her community and their perceptions of female sexuality. Her ongoing investigation of the experience, vision, representation and politics of the lesbian, gay, bisexual, transgender and intersex (LGBTI) community makes visible the multiplicities and different lived bodies. Muholi’s photographs and digital prints employ menstruation as a vehicle to question the predominant prejudices in South Africa towards lesbian women. Muholi has to contend with patriarchal dominance, that places females lower than males; a global situation of whites colonising blacks; and a society that on the surface accepts individual freedom to choose one’s own sexual orientation, but refuses to acknowledge rape as a hate crime. In the society is which Muholi’s work is presented, sexual difference is not something that is openly tolerated. Female same sex practices are often so unacceptable that it can often be families who are first to discriminate. No sooner than being turned out of their home, young women are abused through acts of ‘curative rape’. “It has always been in society since the onset of patriarchy and been used as a tool to control people’s sexuality”. Muholi’s digital prints push the boundaries of social and cultural tolerance and ensure that those whose voice has been historically ignored can begin to reclaim a visual culture that was previously denied to them. Through her art, Muholi allows the viewer to experience the ‘body’ imaginatively and from multiple perspectives, thus creating a space to value difference.
Muholi’s Isilumo siyaluma series depict the notion of ‘painful periods’ in a decorative pattern using her own menstrual blood. As representations of flowers, these images symbolise a de-flowering of women, and a brutalisation of their sexual rights. This idea of de-flowering continues through as what Muholi refers to as South African men intending to ‘cure’ lesbian women by means of rape. This notion of ‘curative rape’ is intended to be a form of punishment and a method of ‘correcting’ gender roles that conform to social normative behaviour.. She explains, “there is nothing to correct, this is who we are.” Muholi collected and documented her blood to express her anger at these curative rapes; her Isilumo siyaluma series becomes like a suite of documents, incorporating a trace of the artist’s body, signing in blood but also refer to criminal investigation by the repetition of thumbprints.
 In April 2012 Muholi’s home was burgled. The items stolen were a laptop, and more than twenty primary and back-up external hard drives containing five years of photographic archive, including, yet to be exhibited images and other unfinished projects, which ultimately resulted in Muholi cancelling an upcoming exhibition. Nothing else was stolen, leading to suspicion that Muholi was targeted for her efforts in documenting the lives of black lesbian women. This kind of censorship is evidence of the discriminating actions Muholi and others have received. “Muholi’s plight has been largely ignored by the media” in South Africa, despite being “described by the Open Society Initiative for South Africa as ‘one of the country’s foremost artists’” – Archived from the original at (http://archive.is/Vl2L) – Accessed January 30, 2014. http://news.pinkpaper.com/NewsStory/7399/15/5/2012/Media-ignore-theft-of-photographers-work-documenting-black-lesbian-lives-.aspx
 South Africa’s post-apartheid constitution was the first in the world to outlaw discrimination based on sexual orientation. South Africa was the firth county in the world, and the first in Africa to legalise same-sex marriage.
 Nathalie Rosa Bucher, “South Africa: Law Failing Lesbians on ‘Corrective Rape’”, Inter Press Service News Agency, (August 31, 2009) Accessed October 10, 2013. http://www.ipsnews.net/2009/08/south-africa-law-failing-lesbians-on-corrective-rape/
This act of violence has been established in countries such as South Africa, Zimbabwe, Thailand and Ecuador and is often overlooked due to women’s unstable sexual and economic power in these countries. Whilst rape as a crime enforced; ‘corrective of curative’ rape is not demarcated as a hate crime or acknowledged as an attack on someone based on their sexual orientation. The political system in South Africa provides protection for homosexuality; however, the police appear in many cases not to enforce this law. Ibid.